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Satchmo: A Musical Autobiography. Sings the Blues. I Love Jazz! Greatest Hits. Satchmo Is Back Home. The Louis Armstrong Collection, Vol. Laughin' Louie Jazz Collector Edition. Swing That Music! The Jazz Legend [Pair]. Louis Armstrong Various Artists. Louis Armstrong Saga. His Best Recordings West End Blues. Portrait of the Artist as a Young Man. Great Jazz Masters Play the Blues. The Best of Dixieland [Universal]. Blues [Art of Jazz]. Anthology of Scat Singing, Vol. Louis Armstrong Collection [Excelsior].
What a Wonderful World [Jazz World]. Incomparable [Public]. Jazz of the 's: Greatest Hits. Revue Collection. V-Disc Recordings. Planet Jazz. Cocktail Hour. The Fabulous Louis Armstrong. Lee AdamsCharles Strouse. Carolyn LeighBasin Street Blues - Louis Armstrong - Hello Dolly Coleman. Johnny MercerHenry Mancini. Bob HilliardMilton De Lugg. Bob MerrillJule Styne. Johnny Mercer, Harry Warren. This s jazz album-related article is a stub. You can help Wikipedia by expanding it. About Louis Armstrong.
Activity years. His career spanned five decades, from the s to Basin Street Blues - Louis Armstrong - Hello Dolly s, and different eras in the His career spanned five decades, from the s to the s, and different eras in the history of jazz. With his instantly recognizable gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes.
He was also very skilled at scat Talvi - Ikirouta. Armstrong is renowned for his charismatic stage presence and voice almost as much as for his trumpet playing.
Armstrong's influence extends well beyond jazz, and by the end of his career in the s, he was widely regarded as a profound influence on popular Hän On Se - Dingo - Live (VHS) in general.
Armstrong was one of the first truly popular African-American entertainers to "cross over", that is, whose skin color became secondary to his music Basin Street Blues - Louis Armstrong - Hello Dolly an America that was extremely racially divided at the time. He rarely publicly politicized his race, often to the dismay of fellow African Americans, but took a well-publicized stand for desegregation in the Little Rock crisis. His artistry and personality allowed him access to the upper echelons of American society, then highly restricted for black men.
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